The mimosa moves from one form to another; imprint on cotton, suspended form or botanical magma. Half-plant, half-metal birds inhabit space like hybrid organisms. A miniature hand becomes an amulet of nature. This game of scales invites us to pay attention to the subtle and to pamper the living. Dried flowers, metal and raw earth make visible continuous cycles of metamorphosis of the living.

Brass, stainless steal and Basalt stone

Brass, copper and lead

Immersive experience designed to collectively experience what connects us to the living. A ritual of hand attachment by a shibari master marks the entry threshold. The installation, composed of suspended sculptures in copper and brass combining metal and plant, constitutes a shared field of exploration where everyone wanders at their own pace. With his hands tied, the visitor touches the chains with new parts of his body and enjoys the flowers.Low frequencies travel through space while the brass mobiles become both instruments and sculptures. Voluntary deprivation of a sense refines bodily attention, opening up a more embodied perception of oneself and the other. The body, placed in a situation of active listening, floats in a dilated temporality. Florist: Fleur Urbaine / Sound designer: Zulluz / Lumière: Fréderic Rouanet

Group exhibition at Village Charlot Beausoleil - curated by Bérangère Armand

The installation is composed of twenty spheres in hammered brass, polished mirror, held in suspension at different heights between floor and ceiling. They levitate without ever touching each other thanks to a magnetic device that puts the invisible forces passing through matter in tension. Animated by micro-movements, the void between the spheres makes a continuous and silent energy perceptible.

Brasse and anodised pearl

Presented at the Milan Design Week in 2021 by curator Julia Rajacic, this installation echoes the zen notion of MU 無, an inhabited void envisioned as a space of perception and presence. The circular installation in sails of cyanotype on fabric marked by the imprint of the wind, plunges the visitor into a floating atmosphere between sky and sea. On the ground, cushions invite you to slow down while a sound composition stretches time. The mobile sculptures compose a sensory environment where light, sound, smell and movement interact. Yogi Tolteca diffuses a perfume of Palo Santo, a mobile of mirrors diffracts the light, while Yogi Tempo makes a Tibetan bowl resonate at regular intervals. Punctuated by sound and taste ceremonies, the whole induces a synesthesia.

Brass, copper and esterellite rock

Brass and stone

This mobile with a wingspan of 1m50 explores light as sculpted material. Suspended sculpture made of brass, materials that conduct heat; its movement prolongs the journey of light in space.

organic constellations. Composed of flower elements, clay, metal, fire and air, the mobiles sketch a personal cosmogony in space. On the ground, a mimosa carpet takes shape through the collective and meditative gesture of sorting with visitors. Thought for the USN Gallery in Shibuya, the installation calls up the Mediterranean flower in the heart of Tokyo, reconnecting with our relationship to life and time in a big city.

'Corps creux' invites us to reflect on the intervals of these spaces between which a consistency is woven, supported by the harmony of the lines. Echoing Le Corbusier’s Modulor, the installation questions the proportions of the human body as a measure of space. My sculptures reveal open architectures where the void structures form and movement, establishing a dialogue between body, art and architecture.

Brass, marble and copper

Brass and burnt wood

Presented at the 2022 Printemps de l'Art Contemporain in Marseille, Beyond the Senses is a 20-minute performance initiated by an incense ritual that opens up a space of perception and encounter between sculpture and dance. The slowly rotating mobile tracks a continuous orbit on the ground. Two energies brush against each other, repel each other, then gradually tune up, transforming the tension into resonance. In its movement, the sculpture envelops the dancer, who has become a gravitational body at the edge of trance. Incense Ceremony: Akitsu Orii / Dance: Yoshiko Kuno / Light: Jimmy Bourry / Sound creation: Zulluz.